A Rare Guitar
Oscar Alemán in stage performance, 1970s |
October 14th this year it is 34 years since Oscar Alemán passed away. To commemorate his legacy to the world, this entry puts focus on an important unsolved question regarding Alemán's guitar model, which he used in stage performance and recordings during the last decades of his long career - an essential tool that is unmistakably associated with Alemán's 'sound' from c.1954-1980 when performing on an amplified instrument. I have earlier posted some tentative information about the guitars used by Alemán during his career here. - However, I am not an expert, but luckily we have now had knowledgeable assistance from Luis 'Tito' Liber, who has investigated the peculiarities that are to be observed at Alemán's amplified guitar. Below you can read his considerations.
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A Rare Guitar
by
Luis 'Tito' Liber
OA in stage performance at Teatro de la Comedia, July 1971 |
We know
that Oscar used a French Selmer Maccaferri ‘grande bouche’ guitar, sound hole shaped
like a ‘D’, during the 1940s. But later in his career (ca. 1954-1980), it
appeared he had changed to another - and in fact- unusual Selmer, now
electrified with a pickup, fixed inside an oblong, oval (- or ellipsoidal) sound hole.
This
instrument may belong to the transition period of Selmer guitars (1935 onwards), in which Maccaferri had abandoned the firm. That era was characterized by
guitars with an oval sound hole (‘petite bouche’). Guitars with oblong,
oval sound holes, however, are not
included in official Selmer catalogues. It seems that they didn`t produce
guitars with that characteristic at all!
Alemán's Selmer model (photo courtesy by Sergio Pujol) |
Back to
Oscar`s guitar, it could be that some luthier, for instance Don Sergio
Repiso, had modified the top deck (- and the fret board and head) at
the time he is known to have fixed the pickup (a De Armond).
Luthier Sergio Rapiso in his workshop, notice the 'grande bouche' model, left |
Here are
the differences between Oscar`s guitar and a common, listed Selmer model:
1. Oblong, oval sound hole
2. No zero fret
3. Ivory inlay on the head front
Alemán's Selmer model (photo courtesy Daniel Cossarini) |
So far, we
can confirm that the instrument is a: Selmer, Paris, with
oblong, oval sound hole
Model ca. 1938, series
number 475. Short scale
It has a
sticker of Antigua Casa Núñez (- it may have been repaired there or
imported by that Buenos Aires firm?) inside the box below the official Selmer logo (see picture)
Close-up of sound hole |
De Armond 1000 Rhythm
Chief pick-up
1959 magazine ad, De Armond soundhole pickup |
Oscar used
this model ca. 1954-1980. The guitar
was donated by Alemán to the CECUAL,
Chaco, Argentina.
Oscar Alemán's Selmer in box (photo courtesy Daniel Cossarini) |
Luis 'Tito' Liber
7 Comments:
Muy buen post, las guitarras que hizo Sergio Repiso tipo Selmer parece ser que las copió de una guitarra medio despedazada regalo de Django que trajo Jorge Lagos (según sus propias palabras) cuando estuvo en Francia, era la de boca chica y parece ser que Don Sergio copio la boca en forma de D a ese modelo de guitarra, según testimonios de Ravera y Zaragoza quienes tocaron con Oscar y poseían esas guitarras con la característica de la boca en forma de D y el mango mas largo, el traste XII queda fuera de la caja.
Un renovado placer visitar el blog. Reciban un gran abrazo de Waldo Fonseca y los muchachos de HCB
Thanks, Waldo, for the added information, it's great to have some light focused on Alemán's instrument - the shape of the sound hole and the other peculiarities mentioned in the article have been a mystery so far. But still, can we now conclude that it in fact was Sergio Repiso who modified Oscar's Selmer?
Jo
we have set up a facebook page of owners and lovers of Repiso Guitars
https://www.facebook.com/repisoguitars
like it pls
In the excellent book " The Story of Selmer Maccaferri Guitars" by Francois CHARLE (ISBN 2-9513516-1-5)
the guitar with the serial number 475 is listed on page 248. The buyer is listed as "Casa America" "Buenos Aires" with the date of manufacture given as "20.04.39"
This surely must be Oscars guitar, although as indicated on the webpage, it looks to have been modified, possibly to facilitate the mounting of the pickup system.
Marek VA
Mi nombre es Néstor Avalle. Soy periodista y estoy escribiendo una nota sobre el luthiers que está haciendo la restauración de esa guitarra. Acabo de verla y de sacar fotos del proceso de restauración de ESA guitarra. Tiene todo lo que menciona la nota, los sellos de Selmer en la madera, las clavijas industria argentina (seguramente puestas en la restauración que hiciera la Antigua Casa Núñez, que por cierto no tiene fecha). Quisiera tomar contacto con quien escribió la historia de la guitarra para poder hacerle algunas preguntas para ilustrar la nota. Gracias. Mi mail es: nestoravalle2012@gmail.com
Hola tengo una Repiso modelo Selmer año 1973 encargada y firmada por Joan Manuel Serrat. Quiero venderla alguien podria darme idea de su valor? Gracias
Hola chiques... soy Quique Pesoa, locutor, periodista, narrador, entrevistador y cuanta cosa se les ocurra respecto de los medios de comunicación. Tengo la grabación de una entrevista que le hice a Oscar Aleman allá por 1974 o 75 en la ciudad de Rosario. El Sábado pasado, 10 de Junio 2023 la reproduje en un programa que tengo desde hace años, El Desconcierto. En esa charla, Oscar me dice que Sergio Repiso le pidió prestada la Selmer para copiarla. También dice que Repiso hizo un muy buena guitarra pero no pudo emular el "cuerpo" del sonido de la Selmer.
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