Gaston Bueno Lobo 1932-1938 recordings - 2

Sustaining the suggestion that there has been a co-operation between Gaston Bueno Lobo and Laurindo Almeida during the late 1930s is a recording by vocalist Roberto Paiva, cut by Odeon in 1939 (Odeon, 11848), issued 1940. The A-side of this 78 rpm has a composition by GB Lobo & L Almeida, Se recordar é viver. - The recording is accessable online at the IMS web, the accompanying music of Paiva's vocal does not seem to feature stringed instruments besides a double bass; the vocalist is accompanied by brass, piano, clarinet, double bass and light percussion, so neither Almeida nor Lobo are participating in the recording,
I think. Anyway, it's interesting to know that Lobo and Almeida actually had a co-work as composers.
picture: Laurindo Almeida
Let's hope we can clear up this: what happened with Gaston Bueno Lobo early 1930s after he returned to Brasil !!
Visit my Keep swinging blog spot for additional information.
This weblog will give you information about the "El Redescubrimiento de Oscar Aleman" project, the "Rediscovering of Oscar Aleman" project.
Oscar Aleman ( 1909 - 1980 )was an Argentinean jazz guitar player, entertainer and showman, born in Argentina, lived in Europe (1930s)and returned to Argentina ( 1940 - 1980 ).
He was one of the best jazz guitar players of his time.

3 Comments:
Hello Hans: I'm afraid you know much more than I do.
I only have his recordings with Oscar.
Best regards,
Guillermo Iacona
This comment has been removed by a blog administrator.
Lobo recorded only nine sides in Brazil, according to the Funarte discography. The tenth side indicated in that discography is Roberto Paiva's recording of "Se Recordar É Viver," co-authored by Lobo and Laurindo de Almeida.
Post a Comment
<< Home